
Mouille three-arm floor lamp
Follow Serge Mouille’s three-arm lamp from its branching steel body to brass joints and white-lined shades that give each light a direction.
Objects · people · ideas
Furniture models and individual historic pieces.

Follow Serge Mouille’s three-arm lamp from its branching steel body to brass joints and white-lined shades that give each light a direction.

Explore the folding bed associated with Napoleon, the Desouches system of travelling furniture and the distinction between two surviving Saint Helena beds.

Rex offers a shaped wooden seat and a useful way to put it away. Niko Kralj combined curved, slotted plywood with folding, so a chair generous enough for sitting could make room for the rest of life.

Joost van Bleiswijk’s 2003 birch-plywood chair at Centraal Museum makes interlocking panel shapes the starting point of its construction.

Richard Hutten’s No Sign of Design Chair makes an ordinary outline worth noticing. A simple arrangement can direct attention to use and proportion.

Wim Rietveld’s Oase separates an upholstered seating body from an open tubular support. Two museum records anchor the design story.

Oeben’s Getty mechanical table opens a hidden workspace and rewinds its springs when closed. Its darkened floral inlay reveals another, slower transformation.

Jólan van der Wiel’s Gravity Stool makes a magnetic field part of the forming process. The NGV example separates a 2011 design from a 2016 object.

Read the Met’s huanghuali painting table through its broad clear top and the close, gradual experience of opening a Chinese handscroll.

Follow Verner Panton's one-piece cantilever through its 1967 pilot, polyurethane series, thermoplastic failure and 1999 polypropylene return.

Studio Job’s open-shelf Paper Cabinet gives a classical furniture outline a different material life. Paper, wood and coating participate in a deliberately surprising assembly.

Jeroen Wand’s Paper Chair turns laminated and pressed paper into furniture. A 2006 Boijmans object anchors a story of layers, joints and ideas borrowed between materials.

Look beneath the black lacquer of a Victorian display stand to a mixture of wood and papier-mâché, bright shell decoration and a debate about ornament.

The Parker Knoll Penshurst wing chair, the tension springs beneath its cushion, and what a documented 1966 example reveals about upholstery and furniture history.

Pastoe’s Made-to-Measure system connected standard panels, repeatable corners and customer choice, with contributions from Braakman and Bus.

Read Finn Juhl's 1940 Pelican Chair through its hidden frame, low upholstered body, projecting sides, difficult debut and much later return.

Explore the two book panniers of Egon Riss’s 1939 Penguin Donkey, its connection to paperback publishing and the later designs that share its name.

Open Petronella Oortman's c. 1686–1710 dolls' house and see why its full-size cabinet, exact materials and ordered rooms made it a collection, not a toy.

Decode Poul Henningsen’s PH 4/3: a 40-centimetre-class top shade paired with smaller 3/3 lower shades to control glare and bring light closer.

See how Poul Henningsen's PH Artichoke overlaps 72 metal leaves to hide a bright bulb from every viewing angle while making the whole lamp glow.

Look beyond Pipistrello’s winged shade to its telescopic stem, the Olivetti showroom and the different jobs a lamp can do at changing heights.

See how Poul Kjærholm's 1965 PK24 balances one long curved surface on a right-angled steel base, making gravity and friction part of the construction.

See how Poul Kjærholm's 1961 PK91 uses an ancient X-frame, crossing steel ribbons, canvas and dovetailed corners to make metal behave like cabinetmaking.

The story of Giancarlo Piretti’s Plia folding chair, its concentrated three-disc joint, the 1967 museum record and why a spare chair can deserve a place in the room.