
Beugel chair
Follow the curved steel supports and shaped plywood of Rietveld’s Beugel chair, an open furniture family documented in distinct museum examples.
Objects · people · ideas
Furniture models and individual historic pieces.

Follow the curved steel supports and shaped plywood of Rietveld’s Beugel chair, an open furniture family documented in distinct museum examples.

The Birza Chair asks how much a continuous fibre sheet can do. Rietveld’s experiment shifts attention from assembling members to shaping surfaces.

A deep drawer hides things in layers. A Bisley MultiDrawer gives those layers separate handles. Its quiet usefulness grew from office paperwork, but the same idea makes sense wherever small objects accumulate.

Ineke Hans’s Black Beauties turns a children’s furniture collection into a set of clear silhouettes, using black recycled plastic.

Blue paint changes the familiar picture of Shaker furniture. Examine a pine blanket chest with a deep drawer and a surviving history of painted surfaces.

Discover the 1967 Blow armchair through its inflated PVC chambers, welded seams and the shared authorship of De Pas, D’Urbino, Lomazzi and Scolari.

Niels van Eijk’s Bobbin Lace Lamp connects textile organisation with a glass-fibre object. Boijmans’s 2002 record and a separately dated label keep the evidence precise.

Follow Bocca from a Milan waiting room to a recognisable sofa, through Studio65’s visual joke, Gufram’s foam and a change of scale.

Joris Laarman’s Bone Chair connected growth-inspired computation to a cast object. The paper study and museum examples remain distinct.

Read Bookworm through Ron Arad’s account of drawing an imaginary line on a wall, then turning flexible shelving into an industrial product.

Martin Visser’s BR 02 connects an open daytime sofa with a level sleeping surface. Follow the shift, its dates and the later armrest.

Richard Hutten’s 1997 Bronto prototype links rotational moulding with a variable surface. Two plastic types make difference part of a repeated furniture idea.

Frank Tjepkema’s 2014 Bronze Age Lounge Chair gives bronze a delicate-looking furniture outline. One artefact is jointly held by Centraal Museum and Van Abbemuseum.

Piet Zwart’s Bruynzeel kitchen joined standard components to domestic work. Its efficiency also carried assumptions about who worked there.

Discover the lamp inside Ingo Maurer’s Bulb, his remembered encounter with a bare bulb in Venice and the glassmaking behind a familiar enlarged shape.

Discover how Louis XV’s Bureau du Roi combined a locked working surface, several crafts and a political history written into its decoration.

Look closely at Met cabinet 59.108: a towering object from about 1700 whose marquetry, bronze mounts and hidden substitutions reveal how spectacle and workshop economy worked together.

A late-sixteenth-century Japanese export cabinet combines lacquer and mother-of-pearl with a European fall-front writing form. Compare its open and closed faces.

An English embroidered cabinet hides writing storage and a mirrored interior behind raised needlework. Follow its Esther scene and the question of unnamed makers.

Explore the 1972 Cactus coat stand through its scale, branching arms and painted polyurethane surface: a familiar plant made strange indoors.

Follow Campeche Chair 2000.451 from its fixed crossed frame and flower-basket crest through port trade, contested attribution, later copies and long domestic use.

Read a seventeenth-century Campeche writing box through its miniature facade, four visible keyholes, contrasting inlays and an incomplete travelling history.

Sabine Marcelis’s Candy Cube uses polished translucent resin to turn a simple volume into changing colour and light. MoMA’s record identifies a 2014 design.

Why Carbon Chair’s apparently loose network has a deliberate arrangement: shared authorship, carbon fibre and resin, and a surface that carries the structure.