
A.R. (Dick) Cordemeijer
A.R. (Dick) Cordemeijer’s career connects Auping’s Cleopatra with industrial furniture at Gispen. Heritage records help keep collaboration, adaptation and name variants precise.
Objects · people · ideas
Designers, cabinetmakers and the people behind the furniture.

A.R. (Dick) Cordemeijer’s career connects Auping’s Cleopatra with industrial furniture at Gispen. Heritage records help keep collaboration, adaptation and name variants precise.

Explore Aino Aalto’s work through the open base of Side Table 606, the Savoy interior and the everyday relationships that give a room its character.

Aldo Bakker gives useful objects forms that invite a slower look. His furniture connects material, recognisable use and specialised making.

Look beneath Boulle furniture’s famous surface to its wooden body, reversed marquetry patterns, bronze mounts and a revealing workshop inventory.

Turn over Anna Castelli Ferrieri’s Kartell 4870 chair to understand its ribs, separate legs and carefully planned stacking.

Benno Premsela connected display, interiors and small objects through clear human questions. His mirror and Lotek reveal an economy shaped by the room around them.

Bertjan Pot’s material curiosity connects workshop experiments with patient product development, manufacturer knowledge and the surprise that remains in finished objects.

Discover Bodil Kjær’s furniture through the space around a freestanding desk and the weather tests behind an outdoor collection.

Follow Bruno Mathsson from an unwelcome hospital chair to curved wooden frames, woven support and houses designed around light and the seated body.

See how Carlo Mollino’s Arabesco table connects a flowing drawing to layered wood, workshop skill and glass that helps control the shape.

Carole Baijings develops colour through models, materials and production. Her profile connects earlier Scholten & Baijings collaborations with later independently credited furniture.

Cees Braakman connected furniture production knowledge with Pastoe’s adaptable storage, making the factory’s methods part of the customer’s choices.

Understand how Charlotte Perriand connected furniture with everyday and collective living through one documented 1952 commission produced with Ateliers Jean Prouvé.

Chris Kabel connects material behaviour with the situation around an object. Mesh Chair and Wood Ring reveal different ways that context can enter furniture design.

Christien Meindertsma follows materials through fibres, processes and collaborators, showing how research into origin can influence the next object a material becomes.

Meet Cini Boeri through the solid foam of Bobo and the transparent Ghost chair, co-designed with Tomu Katayanagi for FIAM.

A furnishing proposal for farming families reveals how Clara Porset and Xavier Guerrero used pine, ixtle and jute—and why the drawing needed both their names.

Dirk Vander Kooij develops furniture alongside the tools that make it. Process leaves a visible character in printed chairs and pressed tables.

Discover how Dorothy Liebes used reeds, coloured yarn and metallic threads to change the light in a room, and how her woven experiments reached industry.

Meet Eileen Gray through a pivoting lacquer screen and the small decisions about privacy, movement and furniture inside Villa E-1027.

Look at Gallé’s furniture through the Ombellifères cabinet, where wood grain, marquetry and carved growth turn botanical observation into form.

Discover why Enzo Mari offered furniture drawings to readers, how simple boards made structure visible, and what he hoped a homemade chair would teach.

Follow Ernest Gimson from drawing chairs to learning with Philip Clissett, then passing the work to Edward Gardiner and a wider workshop.

Enter Finn Juhl's house, exhibitions and UN chamber to see how furniture, art, architecture, colour and human use became one connected design problem.