The shavings leave the floor
Woodworking produces more than finished boards. It also produces curls, chips and shavings that usually leave the furniture story. Marjan van Aubel and James Shaw’s Well Proven Chair brings that material into the visible body of a seat. NGV credits the designers jointly and distinguishes the 2012 design from its example manufactured in 2016.1
The contrast makes the object easy to approach. A recognisable timber support meets an irregular, textured seating body. One part speaks the familiar language of a wooden chair; the other lets the workshop’s smaller fragments take a much less familiar role.
Two ways of using wood
NGV lists ash, wood shavings and bioresin among the materials. The shavings and binder become a shaped composite rather than another clean-cut board. The ifa account places the project within an exploration of materials usually treated as waste.2
Look at the meeting between the comparatively regular frame and the rougher body above it. Their difference makes both processes more visible. Wood can be selected and worked as timber, or its fragments can be combined into another material. The chair brings those possibilities close enough to compare without a sample drawer or a laboratory bench.

An experiment needs a furniture question
The American Hardwood Export Council describes the collaboration within its Out of the Woods project.3 A seat gave the material investigation a demanding everyday subject: something recognisable, shaped around a person and carried by a support. This Dutch–British collaboration was developed in London; the connection is not evidence of manufacture in the Netherlands.
The value of the story lies in that encounter between experiment and use. It supplies neither a home resin recipe nor a measured environmental advantage. It does make a satisfying change of perspective possible: what leaves a woodworking operation can become the part of a new chair that you notice first.
