The mirror was meant to come off
A Quadrille dressing table without its mirror can look like a piece that has lost something. G Plan’s own history offers a more interesting explanation: the design was intended to work both as a bedroom vanity and as a desk in an office or living room. Its adjustable, detachable mirrors were part of that flexibility.2
The change is easy to picture. With a mirror above it, the long top becomes a place to sit and dress. Remove that upright plane and the same surface opens towards the room, ready for paper, a lamp or a book. Its second role was already in the design, rather than invented only by later resale listings.
Drawers suspended around a seated person
The rectangular, sleigh-shaped supports give the piece a clear outline. Between them, the drawer groups leave a central opening for knees. The top appears to float above these separate volumes, so the furniture has a strong shape without becoming a solid block.
One surviving example catalogued by David Duggleby has four drawers and is described as a dressing table or desk. The description is useful because it lets the abstract idea become a particular object: storage at either side, a working surface across the width, and room for someone to sit in the middle.3
The open centre also explains why removing a mirror can work so naturally. The lower half already accommodates the posture of someone writing. The surface and drawers do not need to be rearranged to give that person a place.

A room assembled from separate pieces
The High Wycombe Furniture Archive records a Quadrille bedroom-furniture folder dated 1965, with the designer given as R. Bennett. G Plan’s retrospective also places the range in 1965 and describes Scandinavian influence.12
The maker says the collection was conceived so pieces could stand alone or work together. That helps explain the dressing table’s finished, self-contained appearance. It belongs to a furniture range, but it does not need the whole matching room to make sense.
Quadrille’s most useful historical detail is therefore a small act of removal. The detachable mirror changes what happens above the drawers while the open base continues to suit a seated person. The familiar dressing table contains a second room’s worth of possibilities in its existing shape.
